File: 21 KB, 360x360, good morning good night.gif [
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why don't people like this?
is it just people who don't know what onkyo is?
| >> | No.55523039 >>55520935 Same here. >>55520792 I like some onkyo and lowercase, but only up to a point. Good Morning Good Night is too much for me. And with music this minimal, when it's too sparse I just can't enjoy it at all — I either like it or not, I can't imagine making a difference between a "passable" onkyo release and a "bad" one. Same goes for noise.
>>55520896 >>55520947 This is a very pretentious and condescending claim. Just because you don't hear anything interesting in the music itself, doesn't mean you can know what thousands of people hear in it.
I don't know anything about the onkyo scene except for the names of the musicians; doesn't stop me from liking it. I like how clean it sounds, how it makes use of silence too (though Feldman or Rotor Plus can be even better in that regard), whether it's focussed on unpredictable. It's very contemplative in a way, helps me concentrate.
Then it depends on the albums; I.S.O.'s live album recorded in a temple is beautiful because of the contrasts between the "pure", clinical sounds in a very quiet environment, a bit like a simple drawing on textured paper or something like that. Toshimaru Nakamura has an aesthetic much closer to glitch with his NIMB series, it's music that goes "wrong" in interesting ways. Sachiko M is radical to the point of sounding completely artificial, but some of her works are beautiful too (Sine Wave Solo 3, NL) — it's as close as you can get to pure form with no colour or texture.
I don't listen to onkyo every week or even every month, I prefer lowercase too because it sounds more natural with more variety, but from time to time I honestly like it. |