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File: 27 KB, 338x450, SergeyRachmaninov.jpg [Show reposts] Image reverse search: [iqdb] [google]
55315438 No.55315438 [Reply] [Original]

What's your favorite piece by the overly maligned Rachmaninov, /classical/?

>> No.55315693

bump
https://www.youtube.com/watch?v=EmewkYtGOBo

>> No.55316720

>>55315438
His 2nd and 3rd piano concertos are among my favourite pieces. I'm not sure that I could choose between them – I'm aware that neither would be a particularly unique choice.

>> No.55316824

>>55316720
nice memes

>> No.55316829

>>55315438
Etudes Tableaux Op. 39

>> No.55316871

>>55316824
nice "everything is a meme" meme

>> No.55316915

/classical/ please help me

I've been trying to remember who is the composer of this song/name of the song

I remember exactly how it sounds but I just can't remember the composer's name, I've sang it on Vocaroo, it's a piano piece, no more instruments involved. I've made threads but they always 404

Please help meeee

http://vocaroo.com/i/s08z3CuLQtbD

>> No.55316957 [DELETED] 

>>55315438
08 | Rachmaninoff: Piano Concerto #2 – Adagio Sostenuto (Cecile Ousset, Sir Simon Rattle / CBSO) off of the fifty shades of grey ost

thanks for asking

>> No.55317024

>>55316829
did he make a set of more than one?
I know I heard one of them live and it was fabulous

>> No.55317042

>>55317024
Op. 33

>>55316957
underrated post

>> No.55317047
File: 19 KB, 300x272, Taneyev.jpg [Show reposts] Image reverse search: [iqdb] [google]
55317047

Which recording of Shostakovich's String Quartet cycle is the best – in your opinion(s)? Personally, I've narrowed it down to the Borodin Quartet's and the Taneyev Quartet's, although I doubt I've heard every recording.

>> No.55317049

i don't know much about classical, will someone gib recs? looking for some real moving type shit. not like immediate payoff obviously. i like slow builds idk. off the top of my head i like:
prokofiev
smetana
brahms
part
beeth
moz
bach

pls and thx

>> No.55317081

>>55317047
I need to hear Borodin's.
Have only heard Emerson's and Pacifica's. Emerson's is precise but Pacifica's is more emotive. I prefer Pacifica.

>> No.55317093

>>55316871
rach 2 & 3 are the quintessence of a meme

>> No.55317163

>>55316915
pls help ;_;

>> No.55317349
File: 147 KB, 1216x902, 3423432434.jpg [Show reposts] Image reverse search: [iqdb] [google]
55317349

Romanticism is shit, baroque is the true classical.

https://www.youtube.com/watch?v=7XHt7Gk-gg8

https://www.youtube.com/watch?v=7F9zdzqAaas

>> No.55317579

>>55317349

oaml yya

https://www.youtube.com/watch?v=dZkzz4-rB-Q

>> No.55317615

>>55317349
There's nothing wrong with Romanticism.
It's all subjective taste.

>> No.55317692

>>55317093
Going forward, I'll be sure to enjoy only obscure music.

>> No.55317944

Can we please all decide on an upcoming album to get hyped for then barrage /mu/ with constant multiple threads about it? Anything in the next couple months to look forward to?

>> No.55317985

>>55317944
the new Julia Wolfe?

>> No.55317999

>>55315438
prelude in Gm is bretty gud

>> No.55318009

>>55317944
Brabant's Jacquet Mass.

>> No.55318063

>>55318009
or this

>> No.55319336

>>55317047
There are multiple Borodin recordings. The first ceased to be a complete cycle when Shosty wrote two more quartets. They made two more cycles in the 80s for EMI and 90s for Virgin, but I'm not enough of an expert to say which is best.

>> No.55319396

What's your opinion of Jennifer Koh?

https://www.youtube.com/watch?v=U0mi9KfOPhc

>> No.55319695

>>55317944
>Wanting to sink to the level of popular music spam

dont do it. I am interested to hear Wolfe's Pulitzer winning "Anthracite Fields" though...

>> No.55319754

>>55319396
no feeling, no phrasing, too fast, no lyricism.

in short: butchering Bach

>> No.55319806

>>55317944
Here's what I came up with from Prestoclassical's upcoming releases list

Alina Ibragimova:Ysaye sonatas
Ivan Fischer: Mahler 9
premiere recording of Leonardo Vinci's Catone in Utica with countertenorfus Cencic and Fagioli
Phantasm: William Lawes' Royall Consorts
new cantata by Birtwistle: Angel Fighter
Alexei Lubimov plays piano works of Ives, Berg, and Webern
Mahan Esfahani: mixture of Baroque and minimalist harpsichord (Gorecki, Reich), high meme potential
10 CDs Sviatoslav Richter birthday edition, probably repeat material (Sofia recital in there)
Maria Lettberg: piano music of Scriabin, Liszt, Messiaen, and someone called Kelkel
Sakari Oramo: Nielsen 2 & 6 excellent ongoing series
Veracini's complete Sonata Accademiche
Stephen Cleobury: Organ works of Liszt, Reubke, Mendelssohn
Jadassohn: Symphonies 1-4 (never heard of him, apparently a student of Liszt who carried on the legacy of Mendelssohn and Schumann, and taught Busoni, Delius, Grieg, and Weingartner)
Artem Yasynskyy: piano works of Josef Hofmann
Dmitri Bashkirov archival recordings (piano works Haydn, Schubert, Brahms, Liszt, Grieg, Debussy, Rachmaninoff, Prokofiev and Shchedrin)
Roger Reynolds complete cello works
Donizetti: Les martyrs (cond. Mark Elder) I've never heard the French version, this should be exciting

>Historical performance pioneer Trevor Pinnock conducts the Royal Academy of Music Soloists Ensemble in revealing chamber arrangements from Mahler to Zemlinksy
Why is this allowed?

>>55319396
I've heard one of her solo works discs, the second is on my to listen list

>> No.55319883

>>55319695
They have it coming. I want to force them to see /mu/ how I see it whenever this thread gets pushed off the board by their hijinks.

>> No.55319916

>>55319396
she plays interesting repertoire every now and then

>> No.55319988

>>55319916
That's why I paid her attention. She has unusual stuff sandwiched between Bach on an album, but I wanted to know if the modern style Bach is worthwhile or just the unusual material.

>> No.55320009

>>55319754
>too fast

we need to go faster

https://www.youtube.com/watch?v=6gqI1NEQcjA
https://www.youtube.com/watch?v=3u6QS22oLoQ

>> No.55320877
File: 36 KB, 343x341, news_beethoven_last_three_voll[1].jpg [Show reposts] Image reverse search: [iqdb] [google]
55320877

So much heavy breathing here in 30-32, I guess it's excusable in a guy in his 80s. The playing is seriously good

>> No.55320900

Why was Bach such a fuccboi?

>> No.55320918

>>55320877
I just assumed you were talking about Pollini before checking the fullsize picture. Can't be much worse. Is that on fortepiano?

>> No.55320946

>>55320900
He grew up in the streets, carried a rapier and had 2 wives. The most gangsta composer.

>> No.55321387

WHY DOES MY BITCH OF A SOPRANO FLATMATE THINK IT'S ACCEPTABLE TO TRY OUT HER WHISTLE REGISTER AT 9 IN THE MORNING

REEEEEEEEEEE

On topic, probably either The Bells or the Symphonic Dances

>> No.55321399

>>55318009

This is probably the best option.

>> No.55321439

>>55321399
I thought so too but we've ended up doing Art of Fugue right now.

>> No.55321489

>>55321439

Right, time to get in on the act.

>> No.55321827
File: 19 KB, 400x397, cover1[1].jpg [Show reposts] Image reverse search: [iqdb] [google]
55321827

>>55320918
Just a piano, idk what make since I'm listening through spotify. 30-32 were recorded October 2013, the Hammerklavier is from 1976.

I just sampled some of this Schubert release, I'm not sure it's actually breathing, he seems to be singing along. Like the Beethoven disc it's very closely miked. The release has D.960 played on a 1826 Graf fortepiano, 1923 Bosendorfer, and 2004 Steinway.

You can hear the same kind of noises here, it's quite endearing
https://www.youtube.com/watch?v=V-3orNDtQFA

>> No.55322003
File: 1.08 MB, 1260x1810, Lisa_Smirnova_Presspic1.jpg [Show reposts] Image reverse search: [iqdb] [google]
55322003

>>55321827
You can just hear him sniffing, usually before slapping his hands down on a loud part. I don't really mind that stuff either since it gives it more of an unedited live performance atmosphere, which in this case it actually is.

I have a Handel album with grunting that's a little awkward because it's coming from a grill.

>> No.55322285
File: 114 KB, 1016x1022, 1429149109702.jpg [Show reposts] Image reverse search: [iqdb] [google]
55322285

But back to the lecture at hand... why do we like Brabant Ensemble? What measurements do you judge vocal music by? Pronunciation? How much do interpretations differ? I am but a lowly instrumentfag. Grant me your wisdom, vocalist sages.

>> No.55322419

>>55322285
>why do we like Brabant Ensemble

We don't. It's quite some achievement to destroy the individuality of composers and somehow make Palestrina sounds the same as Brumel or to Gombert the same as Lassus. To put it politely their singing is quite homogeneous, and to put it truthfully it is sleep inducing. Like any typical English choir, the music is transposed up so the sopranos are shrieking in the stratosphere while the basses and tenors are underpowered.

But in the end they are one of the handful of choirs in the world who sings this repertoire so we stick with them. A clear bonus is unlike that hack Phillips, Stephen Rice actually knows his stuff, so at least there's attempt to use period pronunciation, sensible ficta, much fewer instances of ridiculous tempos. Also no countertenors so that may be a bonus to some.

>> No.55322454

>>55315438
Isle of the Dead, right?

>> No.55322458

>>55322419
Do people have a problem with countertenors?

>> No.55322572

>>55322458

Some do, yes. Mostly buttmad altos who get put out of a job

>> No.55322573

>>55322419
Also, what groups are there that aren't English? Because I always hear about them, Tallis Scholars, Hilliard Ensemble, King's Singers, and a bunch of other cockroaches. I'm fairly ignorant so I can only name Anonymous 4 from somewhere else. Who do you like that does it right?

>> No.55322579

>>55322458
When it interferes with the music, yes. The composers back then were singers and they knew about the voice types they were writing for, and interfering with that decision is unlikely to lead to convincing results. Take the case of Obrecht's Malheur me Bat mass by the Clerk's Group, the alto line lies about a 4th higher than the usual alto range for Obrecht, if you try to use the same male alto in that line then he's straining to produce these strategically placed top c's. The case is particularly inexplicable since in the Benedictus they decided to let the female alto to sing the solo line for some reason, which means that they do have a capable female singer in that range, but they opted for the countertenor do the christe and pleni.

Another case is in The Sound and the Fury's performance of the Rose Playsante mass, another one of Obrecht's mature masses. The guy who sang the top line may be fine in Gombert's mass, where voices usually move inside an extremely restricted range for bars at a time, but not for the athletic roles of Obrecht. This issue is particularly biting for the F-mode masses since the cantus is often required to go down as low as an F3 and then climb back. So you end up with the poor soloist switching often between his normal voice and falsetto and ending up not projecting the line at all. This is even more perplexing since their bass seems to struggle to reach the lowest note in the piece, an Eb2, where they just drop out.

>> No.55322599

>>55322458
Of course, completely obsolete. Just like the fucking harpsichord.

>> No.55322606

>>55317049
Wagner
Bruckner

>> No.55322687
File: 23 KB, 231x346, 51mQ02F5QZL._SY344_BO1,204,203,200_[1].jpg [Show reposts] Image reverse search: [iqdb] [google]
55322687

>>55322285
tfw lowly Renaissance fan without any music training. I enjoyed what I read of pic related but I'm really out of my depth

>>55322573
I like
Ensemble Pro Musica
Egidius Kwartet
Capilla Flamenca
Diabolus In Musica
Stile Antiquo
Doulce Memoire
I don't know enough to make musicological comments but they make the music work for me.

>> No.55322693

I'm digging these memes in the catalog

>> No.55322694
File: 1.34 MB, 1800x3217, mass_guide.jpg [Show reposts] Image reverse search: [iqdb] [google]
55322694

>>55322599
>obsolete
You mean ahistorical and shoe-horned. Then yes. Handel himself never used a single counter-tenor in the performance of his oratorios or operas.

>>55322573
There are a few good ones on this chart. You also have the Egidius Kwartet and Choir, Janos Bali and his Hungarian bunch, Laudantes Consort, Vox Luminis, Weser-Renaissance, Odhecaton, Concerto Italiano, Singer Pur, Ensemble Musica Nova. Then there are the great American groups like Capella Alamire, Chanticleer, Blue Heron, Pomerium. There must be heaps of good Italian ensembles which focus on madrigals and such but I listen mainly to sacred music so don't know about them too much. But thinking back the lion's share of vocal ensembles indeed seem to either be British or headed by some British guy.

>> No.55322711

>>55322687
Stile Antico obv. They're British but they're a small group. another good british group is Tenebrae, led by former Kings singer Nigel Short. and Henry's Eight (are they still around?)

>> No.55322723
File: 43 KB, 599x169, HMB.png [Show reposts] Image reverse search: [iqdb] [google]
55322723

>>55322687
Looking back at the mid 70s when Howard Mayer Brown was lamenting about the state of the recordings, how times have changed.

>>55322711
>Henry's Eight
Rip in peace. Together with Gary Cooper and his Dufay Consort, taken from us too soon.

>> No.55322749

While we are on an early music roll, I was trying to remember an album of medieval or early Renaissance Spanish secular music the other day that I wanted to hear again. IIRC it had some music for bawdy plays/farces, each about 10 minutes long, and I think it was released on Harmonia Mundi. It's going to drive me nuts until I find it again

>> No.55322807

Listening to Ockeghem for the first time in a year or so.
Honestly tons better than I remember.

>> No.55322876

>>55322711

Tenebrae don't do much early music though

>>55322749

Try Le Jeu de Robin et Marion for some Occidental troubadour stuff and Ludus Danielis for a medieval mystery play with music (the most famous of its kind)

>> No.55322889

>>55322876
speaking as a Ren novice, is it OK if I just kind of listen ambiently to the music? or will I miss much of the point of the music

>> No.55322927
File: 26 KB, 400x358, MI0003311257[1].jpg [Show reposts] Image reverse search: [iqdb] [google]
55322927

>>55322749
Turns out it was this, I'm going to have to check out the rest of the Ensemble Clement Janequin discography. All that magnificent music from the Spanish Golden Age, and I still have the music composed in the New World to investigate.

https://www.youtube.com/watch?v=f7U-PDAI6Qo

>>55322876
>Tenebrae don't do much early music though
That's true, but I've enjoyed their Gesualdo and Victoria.

>Try Le Jeu de Robin et Marion for some Occidental troubadour stuff and Ludus Danielis for a medieval mystery play with music (the most famous of its kind)
Thanks, I will.

>> No.55322937

>>55322889
Osmosis only works in biology, you can't just sit there and expect to soak it all up. You get as much out of the music as you put into it, this goes for any music. Though certain composers are better than others at crafting musical events that grab your attention. Otherwise the sacred music from ~1530-1570 are generally quite consistent in sonority and sound rather restrained, and have this unbroken polished surface sound that make them quite suitable for ambient music. Whether you want to treat them as such is an entirely different matter altogether.

>> No.55322966

>>55322889

Depends really. A good starting point is probably to look up notes about the various pieces online, then you'll know what to listen for in the pieces. If you want to be more dedicated than that, you can have the sheet music alongside you whilst listening, but unless you're a musicologist of some description, you're unlikely to pick up every single nuance since it's more difficult to realise what is 'abnormal' in any given piece without studying it beforehand.

Overall, definitely worth getting in to, but don't expect to have the analytical abilities of renaissance-anon right off the bat.

>> No.55323154

>tfw no more art of fugue threads

>> No.55323215

>>55322694
On the first CD is it worth listening to all the extra tracks or just the Anon missa caput?

They seem to have spliced up the mass with variations? commentary? on Salve regina. Just wondered what those are, whether the splicing is authentic for performance, and even if they are as essential as the mass itself.

>> No.55323250

>>55323154
It was a successful op. There will be more the next time /mu/ needs it.

>> No.55323282

>>55323154

Now you just need to post it in album threads to ensure it gets good exposure.

I think I'll have a listen to that king's Singers Italian madrigal album that just came out now. Would have ideally had a glass of red wine with it, but the only red I've got is really shitty and I don't want to drink it.

>> No.55323380

Music should be listened to ambiently at as quiet a volume as you can tolerate. It's not even natural to listen to music that way. That's a symptom of modern ADHD life and the need for endless hyper-stimulation. Like light pollution, there's also noise pollution from traffic and electronics that makes people crave a certain level of white noise they're accustomed to. It can harm your hearing to be always hearing music yet rarely listening to it because ears need a chance to rest.

>> No.55323406

>>55323215
Christopher Page's notes for the cd are here
http://www.hyperion-records.co.uk/dc.asp?dc=D_CDH55284

The splicing of that specific latin song about the origin of Salve Regina is probably not authentic, but in a liturgical setting the mass would have been heard separately anyway, with only the Kyrie and Gloria directly following each other. Depending on your views on the subject hearing the mass in its liturgical setting, with the plainchant propers and such may be essential for some people, but there's nothing wrong with hearing it through in its entirety without interruptions. Sadly I don't think they've included the Venite ad Petrum chant upon which the mass is based, you can find that in the Obrecht setting or Clerks' Group's recording of Ockeghem's setting.

>> No.55323637

>>55323406
Thanks.

>> No.55323932

Greatest work/composer lost to history?

>> No.55324155

>>55323932
>lost to history
Do you mean "people have forgotten about it/aren't aware of it but it's an amazing work" or "It would have been amazing if it were finished?"

1. Maybe Well-Tuned Piano.
2. Mysterium, most of Schubert's work, Mahler's 10th (11th).

>> No.55324207

>>55315438
Definately the 3rd piano symphony

>> No.55324223

>>55315438
the preludes are so fucking good.
also the vespers

>> No.55324226

>>55315438
3rd movement of Symphony 2 hnnnnnng

>> No.55324530

>>55323932
all those Bach passions

>> No.55324558

>>55324155
I mean "there's evidence it existed and was the GOAT but the works themselves have not survived to the present day"

>> No.55324613

>>55324226
I was going in Symp 2 direction, but then I remembered the introduction.

>> No.55324728

so, /classical/, who here can actually read music?

Hard mode: Name the piece without looking at the answers.

http://www.classicfm.com/discover/music-quizzes/name-the-piece/

>> No.55325153

any of u ever perform under the influence of the chronic

>> No.55325396

>>55321387
reee

>> No.55325578

what's your ideal length for sibelius 4
>>55321387
tfw no soprano flatmate

>> No.55325630

Rec me something with a lot of chromatic chords.

>> No.55325657

also, what's the one work best able to take a beating interpretation wise? the work with the greatest range of interpretations that you like. either length-wise or articulation-wise or whatever
>>55325630
dunno scriabin maybe? like the 5th or something like that

>> No.55325671

>>55325630
https://www.youtube.com/watch?v=SNWOhm5iXxs

>> No.55325674

>>55325657
Beethoven 9 survived this:

https://www.youtube.com/watch?v=hoINrtIWpTA

>> No.55325680

>>55325630
all messian ever

>> No.55325691

>>55325674
>anything
>surviving cobra
yeah well i don't think so

>> No.55325742

>>55325674
i mean
>the work with the greatest range of interpretations that you like
offering my early condolences if you actually like cobra cos that can't be healthy for your body

>> No.55325785

some very nice Sibelius songs:

https://www.youtube.com/watch?v=P44CfhGQBss

>> No.55325796

>>55325657
bach in general can shine through most shit. especially stuff like musical offering that works on multiple different ensembles in different styles and the music always just comes through as the most pure wonderful thing so long as you can discern it
https://www.youtube.com/watch?v=3iCSdZzsARg

>> No.55325803

>>55325785
Nice link!
It's very constructive and adds to any discussion in this thread :)

>> No.55325857

>>55325785
I was listening to orchestrated sibelius songs just yesterday actually, vier liederen orchestrated by a certain collin matthews. Not bad, I've kind of avoided his vocal works as of now
>>55325796
yeah bach's pretty hard to kill, that's probably the easiest choice. explains the ridiculous numbers of orchestrations/arrangements/everything that exist out there, and there's very large changes even between one interpret to the next

i'll have to think of some of the more egregious ones that I like

>> No.55325872

>>55325857
>even between one interpret to the next
of the same instrument

>> No.55325905

>>55325742
I don't think anyone likes Cobra apart from himself.

Unfortunately, he moderates comments on his YT videos, so the only comments left are from idiots and his sockpuppet accounts.

Beethoven 9 CAN take a beating, but not to the extent of Cobra - I like quite a few from Gardiner through to much slower performances like Furtwangler and Konwitchny - even Bohm 1980 has some remarkable moments.

>> No.55325936

>>55325857
https://www.youtube.com/watch?v=ax-7kYRA88Q
https://www.youtube.com/watch?v=sgf0H-X6an8

>> No.55325950

>>55325674
what the fuck is this

>> No.55325964

whats the most beautiful piano sonata of all time

>> No.55325965

>>55325950
Beethoven 9 at half speed conducted by a maniac.

>> No.55325971

>>55325964
op. 111

>> No.55325978

>>55325964
Schubert Bb

>> No.55326006
File: 58 KB, 717x438, >perfect_fourth_over_tenor.jpg [Show reposts] Image reverse search: [iqdb] [google]
55326006

>publish Palestrina's first book of masses
>get the notes wrong

ayyy

>> No.55326009

>>55325905
yeah, I'm a fan of those wartime furtwangler 9ths although they're pretty clearly unbeethovenian. Not a big fan of gardiner though and to be completely honest, the 9th isn't really my favorite beethoven so I don't really listen to it very often/i haven't heard that many different performances.

noting that there's even that mengelberg 9th where he does shit with the orchestration/music at the beginning of the 4th movement cos mengelberg

>> No.55326266

>>55317349
Baroque is for autistic children

>> No.55326302

>>55325964
Scriabin 4th op 30

>> No.55326345

not sure this is an example of two 'good' interpretations but it sure is an example of how vastly interpretative choices vary from one performer to the next https://www.youtube.com/watch?v=YjZjAf_Qh0Y

gould with his meme pseudo-harpsichord sound, feinberg with a more 'romantic' interpretation or something

also @mr-picardy-third-hater: gould just doesn't play it at the end

>> No.55326390

>>55326345
>feinberg with a more 'romantic' interpretation or something
not really a good description, w/e

>> No.55326486

>>55325785

I thought about singing some of Sibelius' songs, but I wanted to sing in Finnish and none of his songs are in Finnish and I don't particularly like how Swedish sounds when sung.

>> No.55326498

https://www.youtube.com/watch?v=BYYXeGZytA0

better example here, say cohen vs feinberg (and the gould's less memetastic, pleasant performance in fact)

>> No.55326507

>>55325964
any Beethoven 2nd movement

https://www.youtube.com/watch?v=FbgvlkizLrQ
>>55325971
for example
https://www.youtube.com/watch?v=rjQ7TxpMizc

>> No.55326531

>>55325578

It's not fun and games at all. I don't think I'll ever be able to listen to bel canto/coloratura stuff ever again because I've had to suffer through it so many times. She's a good singer, but there's no way to make that sort of stuff sound palatable when it's sung again and again.

>> No.55326686

https://www.youtube.com/watch?v=uXkqRRPLDpY
https://www.youtube.com/watch?v=3mYTXjSKNAA

rabidch showed me these some time back, berman's the more typical performance while michelangeli turns the piece on its head but still gets something incredible out of it

>> No.55326764

>>55326531
>I don't think I'll ever be able to listen to bel canto/coloratura stuff ever again
i never started listening to any of that stuff so i wouldn't have this issue though

>> No.55327982

How do I "get into" classical? I enjoy a few 20th century works but I'm not really interested in the time periods prior to that. Anyone have any recommendations? Also how do you tag classical music?

>> No.55328258

>>55327982
Start with Scott Joplin.

>> No.55329311

mfw boring strauss https://www.youtube.com/watch?v=LbIOQyS3PrI

>> No.55329724

>>55329311
sounds pretty good to me.

https://www.youtube.com/watch?v=DjsVZUXodjg

better anime strauss

>> No.55329856

https://www.youtube.com/watch?v=cM9OEn0YgUg
this orchestration is pretty neat

>> No.55330128

Are there any blogs that post links to classical music albums? I'm looking for a classical version of something like this
http://mortuusinsomnis777.blogsp.ot.com/ (without the extra period)
I know I can find most shit on slsk, but I'm not really looking for anything specific, I kinda want to just download random shit for fun, maybe discover some stuff that way.

>> No.55330895
File: 44 KB, 288x233, js_bach_portrait_crop.jpg [Show reposts] Image reverse search: [iqdb] [google]
55330895

This is now a Bach thread last three digits decides what BWV number to listen to.

>> No.55330937

>>55327982
>how do you tag classical music?
basically the same way allmusic.com does it.

>Artist
Johann van Mozart
>Artist sort
Mozart, Johann van
>Album artist or Performer
Luciano Pavarotti
>Album
Orchestral: Symphony
>Track title
[Dance of the Plebs, Book IV, ]Piano Sonata no. 99 in E-flat minor "Moonlight", op. 32: VI. Menuetto. Allegro - Trio. Andante
>Track number
6 [movement number]
>Disc number
99 [piece number or op. number]
>genre
Classical: renaissance [or just Classical]
>date
1666 [composition date]

>> No.55330949

>>55330895
Okay.

>> No.55331285

>>55330895

I can get behind this.

Pls be something not shit

>> No.55331305

>>55330895

I'm tempted to use this idea for the next thread

>> No.55331328

Can anyone help me learn music composition, or at least recommend some books? I've been inspired by Zappa and Gentle Giant lately to compose classical inspired music, and I don't know where to begin. I've heard a good way of studying is by transposing pieces by ear. Is this true?

>> No.55331385
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55331385

>>55331305
Honestly I'm surprised noone had that idea before me

>> No.55331449

>>55331385

Just wait til the Telemann edition :^)

>> No.55331475

>>55331449
Fuck telememe

>> No.55331533

>>55331449
Can you recommend me some Telemann? I really like his Concerto for Recorder and Flute, TWV 52:e1 but I haven't really researched much more.

>> No.55332452

>>55331533

Recorder Suite
Viola Concerto
“Table Music” Overture
Trio Sonata in D minor
Trio Sonata in G major

>> No.55332599

>>55330128
pls respond

>> No.55332661

>>55332599

Use rutracker. Search any given composer and have fun from there

We've got some mega links too

https://mega.co.nz/#F!mMYGhBgY!Ee_a6DJvLJRGej-9GBqi0A
https://mega.co.nz/#F!lIh3GRpY!piUs-QdhZACFt2hGtX39Rw
https://mega.co.nz/#F!Y8pXlJ7L!RzSeyGemu6QdvYzlfKs67w
https://mega.co.nz/#!1V8TSDwL!e5er4zSSyB3kPArCUM02-1KXzlyOkfgfJl6XE9w5orY
https://mega.co.nz/#!CkEQlBbY!k33vuAiD6wJT4C3jAmU8HZ2k_NDz2nF0Jy6qiBdzkwU

>> No.55332678

>>55332661
im looking for blogs, not just places to download music. I know where to find music, I just want to download random stuff to explore.

>> No.55332738

>>55315438
Preiude Op 3 No. 2 in C#m

>> No.55332820

What are some good electronic classical recommendations

>> No.55332839

>>55332599
meetinginmusic

Then browse from the sidebar. You only really need one to break into this network.

>> No.55333258

Is this list any good?

http://www.scaruffi.com/music/classica.html

>> No.55333315

>>55333258
What’s striking about this list is how amazingly conservative it is. There is nothing earlier than Bach, and nothing later than Bartok. Everything on it could be programmed by the least ambitious director of the least adventurous provincial symphony orchestra, with no fear that subscribers would be frightened away. (If that Vivaldi looks unfamiliar to you, he means the Four Seasons — he’s just using the title of the larger set to which they belong to make himself look like he knows about classical music.)

Scaruffi professes to despise the Beatles for being ‘mainstream’, but this list is mainstream with a vengeance: no Gesualdo, no Schoenberg, no Webern, no Stockhausen, no Babbitt, no Ligeti; but more interestingly, not a single Bach cantata, when the general consensus these days is that Bach’s cantatas are far more central to his achievement and career than something like the Brandenburgs, which, great as they are, are nowadays most often heard as pre-flight music on Ryanair planes. Only one work by Mozart, and that not an opera; nothing by Haydn, Sibelius, Handel, Palestrina, Gabrieli, Victoria, Tallis, Byrd or anyone else from before the 17th century; no Britten, no Berg, no Henze, no Birtwistle, no Partch, Cage, Feldman or even Glass or Reich.

>> No.55333349

>>55333258
>>55333315
err, that was for a different list.
But you can read thoughts here: https://factorysunburst.wordpress.com/tag/the-beatles/

Scaruffi is a hack in classical, even more than rock.

>> No.55333607

>>55332839
I'm not really sure what i'm supposed to do, just click random sites and hope they're a classical blog?

>> No.55333990

>>55330895
>inb4 1080

>> No.55334533
File: 631 KB, 1394x1732, Pierre_Boulez_(1968).jpg [Show reposts] Image reverse search: [iqdb] [google]
55334533

thoughts on Stockhausen?

>> No.55334874
File: 31 KB, 460x276, Karlheinz-Stockhausen-in--006.jpg [Show reposts] Image reverse search: [iqdb] [google]
55334874

>>55334533
Has there ever been a funnier composer? If it wouldn't be too difficult, maybe I should learn some of his pieces solely for the potential comedy applications.

>> No.55335190
File: 534 KB, 1351x1700, karl.jpg [Show reposts] Image reverse search: [iqdb] [google]
55335190

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