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Reminder that there are no 10/10 albums.
10/10 is a score that exists for theoretical purposes. It's a hypothetical perfect scenario we compare and contrast actual albums to. Anyone who uses 10/10 has no concept of restraint, perspective or objectivity and their opinion should be treated as such.
And even if it did exist, throwing it around as liberally as many of you do robs it of its meaning. It undermines 8/10 and 9/10 and lessens the intended impact of the perfect score.
| >> | No.54909407 >>54909321 Ah, you see, that's a tricky question, because you're applying scientific method (standardization) to a more or less subjective quality, that is musical quality. What do we consider? Enjoyability? Trascendence? Technical execution? Innovation? To me, and all the scores I give are in base this, is DSOTM, which, to me, has the 10/10, but i am sure yours will be other and such. Since the scale is relative, the standards have to be relative. You also need a 0/10 |
| >> | No.54909499 >>54909453 >I rank albums exclusively by my feels Well I think that's a terrible standard to judge things with, anyway. At this point the way you score your albums is a symptom of a larger problem.
>>54909461 Okay, just as an example I'll use my personal favourite album. Leonard Cohen's "I'm Your Man". It's a good example to use because, as much as I love it, it has a pretty glaring flaw; "Jazz Police" is on it.
Jazz Police blows, it really does. But by your rules my standards for perfection include "has a shitty interlude track that breaks the flow of the album". That's rubbish. That's the kind of thing I try to avoid most of the time.
My hypothetical 10/10 would, in this example, be a version of "I'm Your Man" that doesn't have that track on it, y'get me. This album doesn't exist, but I know what standards it has and the traits it possesses. My scores compare to that selection of qualities.
That's just an example, though. There are a lot more things wrong with "I'm Your Man", of course. |
| >> | No.54909554 >>54909499 Well, it was something I tried to discuss in an old thread a long time ago. What do we really count? The album as an experience, or an average of each song? For example, idk, Michigan has no awful tracks, but overall is a mediocre album. For me is a 6/10. On the other side, we have OKC, which I enjoy and think the first half is very innovative and trascendental, but the second part is lazy (forme, i know many pwople who say that the second part is the good one). Nevertheless, it has a 9 on my scale, because even having Electioneering, the experience is very gratifying |
| >> | No.54909773 >>54909736 I'll try to explain this in a really simple way. Say your personal perfect album has the qualities A, B, C, X, Y and Z? Someone else's might be A, D, F, G, T and U, but let's put that aside.
That perfect album doesn't and can't exist, something that did possess all those traits would probably be too scatterbrained, anyway. So far the closest you've got is the album Self-Titled by The Dipshits, or whatever, but that album only has the qualities A, B, Y and Z.
Saying that is perfect is nothing short of hyperbole and your scores are meaningless because they're grounded to nothing tangible or real. Your feels can stay on your tumblr. Either commit to a scoring system or take that shit to livejournal. |