>>53181992
You know what dude. Honestly, if you are still dont understand what i am saying, its not happening. Yes, I know what strumming chords while playing with a tremolo bar sounds like, im not retarded, and yes, kevin gets a major part of his sound from that, but that alone is NOT what makes him a great guitarist, which is what this fucking thread is about. I am trying to tell you that his sound comes from effects, processing, AN tremolo. His clever use of ALL of those is what makes him a great guitarist, not JUST his use of tremolo. I dont care if that is all you are focusing on because that is not the topic. Some random guy just interjected and sai that thurston was already using his tremolo bar on his chords to create warped, messed up sounds, which is pretty much glide guitar, if you arent getting into semantics and just look objectively at what is being done to the guitar to create that sound. It is so common to use the tremolo bar for this effect that I would say that if that was all kevin did, it wouldnt be that special. it was how he used his guitar in loveless, like cutting up notes and putting them into samplers, and time stretching them to create unique sounds, and then adding retared amounts of pedals to create one specific guitar lead, etc. That shit as what was unheard of and that is why he deserves to be mentioned in this thread.
Again, i dont care if you are only talkign about his tremolo bar, that is what you dont unerstand because it is irrelevant because only some of his sound is tremolo. its so obvious if you watched the video you linked earlier. in fact, he even said he has hundreds of pedals.
those chods you keep talking about? Yes, those do use reverse reverb, notice hwo the recording you sent me sounded like shit and sounded nothing at all like mbv? thats because what you were playing was dry and had none of the other shit going on.
FUCK IT. im out man.