| >> | No.52885929 >>52885507 Chords themselves aren't all that great. chord progressions are where its at.
saying that I wrote a huge chord for this orchestral piece.
Flute: Highest B Clarinet: Low B, C#, high C# Oboe: Low C# French Horns: C#, E, B, C# Trombones: C#, C# 2 octaves up Trumpets: C#, B, C# Violin: G#, B, C#, B Viola: C#, D# (becomes D#, E) Cello: C#, G#, B, E Contrabass: C#
Chords aren't always about just the notes, with orchestral music its about doubling and chord colors. certain combinations will give darker or brighter chords.
This chord was supposed to evoke massive space.
sounds like this: https://clyp.it/at11wlzb |
| >> | No.52886181 >>52885929
i am mildly interested in who you are in real life and what kind of music you have released/worked on in your life
also:
Amaj7, Amaj7, G#7, G#7, Amaj7, Amaj7, G#7, G#7, F#min7, Fmin6, Dmaj6, C#7, Bmin7, Bmin7, A#maj7, Gmin7, Amaj7, Amaj7, Amaj7, Amaj7...
i like that progression a lot |