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As Dark As My Soul Default Fuuka

/mu/ - Music (Temp full images)


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52885507 No.52885507 [Reply] [Original]

any theoryfags on right now? what's your favorite chord?

i like Amaj69

>> No.52885551

>>52885507
Dmin11

>> No.52885597

>>52885507
>69 chord

nice meme ending bro

E min9 but I voice the minor third and the 9 together for dem half steps

>> No.52885626

Ab sus 6 7 10 b12

>> No.52885638

I Like that one that Korn and Swans uses it's pretty heavyy

>> No.52885654

>>52885597

you're a guitar player i bet

>> No.52885681

>>52885626

oops, and the sus is a major second. perfect fourth would sound like shit

>> No.52885784

I don't know what it's called, but F# G# C#.

>> No.52885797

>>52885784
F#sus2.

>> No.52885832

>>52885597
>>52885784
>>52885638

/mu/ confirmed for normalfags

>> No.52885929

>>52885507
Chords themselves aren't all that great. chord progressions are where its at.

saying that I wrote a huge chord for this orchestral piece.

Flute: Highest B
Clarinet: Low B, C#, high C#
Oboe: Low C#
French Horns: C#, E, B, C#
Trombones: C#, C# 2 octaves up
Trumpets: C#, B, C#
Violin: G#, B, C#, B
Viola: C#, D# (becomes D#, E)
Cello: C#, G#, B, E
Contrabass: C#

Chords aren't always about just the notes, with orchestral music its about doubling and chord colors. certain combinations will give darker or brighter chords.

This chord was supposed to evoke massive space.

sounds like this:
https://clyp.it/at11wlzb

>> No.52886080

>>52885929
I don't think it does that entirely in the four second sample you provided. Where does it go from there? I've never written anything for an orchestra.

>> No.52886160

>>52885507
Classic E Maj 7

>> No.52886181

>>52885929

i am mildly interested in who you are in real life and what kind of music you have released/worked on in your life

also:

Amaj7, Amaj7, G#7, G#7,
Amaj7, Amaj7, G#7, G#7,
F#min7, Fmin6, Dmaj6, C#7,
Bmin7, Bmin7, A#maj7, Gmin7,
Amaj7, Amaj7, Amaj7, Amaj7...

i like that progression a lot

>> No.52886260

I really like the sound of Amaj7

>> No.52886270

>>52886181

actually change those Amaj7's at the end to Amaj6's....

yeah that's it....

>> No.52886275
File: 48 KB, 960x270, central-otago-header.jpg [Show reposts] Image reverse search: [iqdb] [google]
52886275

>>52886080
This is what I have so far: (only just over a minute)
https://clyp.it/isji1mxq

The piece is inspired by the landscape of pic related: huge spaces, so trying to get those huge rolling hills into the music... seems to be working so far. hopefully once its finished I can convince a local orchestra to actually play it.

>> No.52886317

>>52885654
no, sax player. It feels slightly latin when it's E B D F# G. Ravel also did something like that in ma mere l'oye

>> No.52886363

>>52886275

sounds like dvorak

>> No.52886405

>>52886275
that's the interval that iPhone ringtone uses. That's all I could think of lol. I liked the oboe line starting at one minute, I feel like that could develop into a really cool counter melody

>> No.52886438

>>52886275
That was very nice. Loved the wind arpeggi starting at about :56.

>>52886405
Two of Us by the Beatles uses that major sixth interval as well.

>> No.52886459

>>52886181
I'm just an obsessed composer from a band background who went to uni and learned to write for orchestra
my SC has a whole bunch of shit
https://soundcloud.com/psllbof/sets/best-shit

>> No.52886475

>>52886459
cool i'll check it out

>> No.52886529

>>52886363
thats a mega compliment. he's one of the orchestral masters

>>52886405
hmm didn't know that. I dont have an iPhone :^)
The theme just came to me one night, im sure melodies based on the major 6th are pretty common

>> No.52886623

>>52886529
:^)
https://www.youtube.com/watch?v=FhKO_K_xQGg

>> No.52886646

>>52886623
Silly anon, that's a perfect fifth!

>> No.52886676

>>52886646
holy fuck it is! look at how bad my earballs are

>> No.52886700

>>52886623
fuck.

ah well. they do say nothing is original in this day and age.

checking that at the piano, its actually a perfect 5th, not a major 6th. similar phrase though.

>> No.52886789

>>52886676

earballs...

i like that

>> No.52887074

>>52886789
it's from archer cheryl/carol/katarina/charleen says it

>> No.52887108

>>52887074

i watched that show once. it was good

>> No.52887129

>>52887108
first four seasons are GOAT fifth is ok/good and the new one is like the first four so far so I'm excited

>> No.52887237

>>52887129

i'll have to catch up on netflix tonight

>> No.52887256

Am :^)

>> No.52887282

>>52887256

godly taste

>> No.52887645

Bm7 if I had to pick one I suppose.

>> No.52887822

>>52885929
this is essentially a minor 9th chord

minor 9th chords are based as fuck. just remembered I wrote a metal track with one years ago...
(its at 2:42)
http://www.reverbnation.com/tomjensen/song/3001984-metal-sketch-with-minor-9th-chords

>> No.52888858

>>52887822
nice to meet ya tom

>> No.52889214

>>52886459
good shit bro

>> No.52889470

I like the one that is CEGABb

i don't know what it's called

>> No.52889495

>>52889470
in jazz that's just a C7. A lot of arrangers add the 6 (the A) to cause tension with the half step (the Bb). Sammy Nestico did that a lot

>> No.52889769

>>52885507
>starts a theory thread
>to discuss favorite chords
why not chord progressions

>> No.52889913

>>52885507
Regular major chord. Maj7 as runner up.

>> No.52890348

>>52885507
>>52885597
>>52885784
>>52887645
>>52889470
>>52889913
look at these basic bitches

>>52885929
you're a gigantic faggot

>> No.52890472

>>52886363
It sounds more like Sibelius to me. Keep it up orchestranon

>> No.52890534

>>52889769

OP here. last time i started a chord progression thread a few sperglords came on and started angrily shitposting the whole thread to death

but feel free to discuss progressions, those are good too!

>> No.52890551

>>52890348

name a better chord then nigger

>> No.52890636

>>52885929
Best chord progression I've heard by far is in the Mr. Lucky theme:
https://www.youtube.com/watch?v=x9-8Wxv6m2k

>> No.52890678

>>52890636

this is legitimately my favorite type of music in the world. i strive to write stuff like this some day...

>> No.52890710

>>52890636

ooooooo...... that Bmin over the Cmaj at the end..... i like that..... a lot

>> No.52892443

sus b9

>> No.52892790

Cmaj7 for me. I don't know what it is about it.

>> No.52893221

I love Maj7s
I also like this

e....4
G...5
B....6
D....6
A....0
E....x
I don't what chord is, but i also thinks its a major7 (AMaj7)

>> No.52894502

>>52890472
Sibelius is unbelievable. His seventh symphony is so beautiful. At approx. 5 minutes in there's a progression that's absolutely gorgeous. It's also the opening sound when for Sibelius 7 software.

>> No.52894517

G7#9 is a great chord (GBDFA#). A great example is in Blue Bossa by Kenny Dorham

>> No.52894733

Great chord progression I've been playing around with:

>Dmin
>C# aug
>Fmaj7 2nd inversion
>B fully diminished 7
>Bbmaj7
>A7(#5)

Bass goes down chromatically which sounds pretty sweet
Warning: it sounds like straight elevator music.

>> No.52895080

Metalhead favorite chord:

B |-------------------
F#|-------------------
D |-------------------
A |-0-----------------
E |-0-----------------
A |-0-----------------

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