| >> | No.37053071
Electronic doesn't take any talent whatsoever to create, alright? All you have to do is press a button and twist a few knobs and suddenly you got a bunch of beeps and boops that every pretentious looser will pretend to like, while REAL musicians; people who play the piano, people who play the guitar, they just get ripped off, they lose their jobs because of people who like Skrillerex, because of people that like deadmau5, alright?
All these people, they just, ah... They rip people off making all these nasty sounds that sound like people screaming and just really loud bass drums and crap. None of this stuff is real music, alright? It's just a bunch of beeps and boops, alright? Basically it's just 5 minutes of sound FX to listen to and honestly who likes to listen to that? Nobody does. People from places like tumblr, they pretend to like it, but umm, no, not me, I like real music, OK? REAL MUSIC WITH GUITARS AND PIANOS.
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| >> | No.37054423
>>37054333
http://www.scaruffi.com/vol6/muslim.html
>Bryn Jones had a stroke of genius, but unfortunately managed to disperse in a `disproportionate quantity of recordings of mediocre value, and his wishy-washy is too often anti-imperialist ideology at least naive.
>Even after his death, will continue the flood of records, even if the quality will be even more poor `. But it is very likely that Jones has established a record hard to match: Only a track is saved in his production, and, given its size, this is probably the most low-quality of the whole history of music (and one of the largest scams of rock music).
>Muslimgauze recorded more than 140 albums. Most likely, none is worth listening to.
>Muslimgauze recorded more than 140 albums. Most likely, none is worth listening to.
>Muslimgauze recorded more than 140 albums. Most likely, none is worth listening to.
welp.
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| >> | No.37056568
>>37056452
er
ok look, luke is fucking ace, no doubt about that. he manages to make the most mundane shit breaks sound amazing, his stuff is effortless as fuck but really anal. basically he's like the antithesis of a lot of his contemporaries even tho he's part of their scene.
so i really do rate him
but if i was going to post a list of acid artists he wouldn't be on it cos he is british, and he started using acid sounds after analord, which was after ceephax, which tbh isn't even real acid, it's more like postmodern 90s posho brit acid.
nothing wrong with that but it's not some black guys from chicago and its not from 86-89 and it's not even musically in the same spirit, it's way more knowing, analytical, cynical, jokey, white. music for students.
it's still good but see it for what it is
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