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Finally got around to listening to this.
Had been holding off because I heard some /mu/tants call it repetitive and boring... but I found it to be quite the opposite.
The production is absolutely incredible... and a couple of the tracks were really pretty out there.
Giorgio By Moroder, Touch, Beyond, Motherboard, and Contact were my favorites... and the more straightforward tracks (Instant Crush, Lose Yourself to Dance) were so impeccably made that they were still captivating. Some infectious grooves on here.
Anyway... for those of you who didn't like it... care to elaborate as to why? Did people really think it was "boring?" I've heard some say that it's "been done to death," but what else is exactly like this?
| >> | No.36760756 People have problems with this album because it is vastly different than anything else that Daft Punk has ever put out. It's no longer primarily samples over electronic instruments, now it's beautifully produced dance music played by real musicians. It's no longer house or a derivative thereof, it's absolutely straight up disco.
But I think it's also, in some sense, a concept album. It's called Random Access Memories, and it's an artefact from a distant time. Disco has been dead (in the US at least) for decades now, but Daft Punk is putting out a record that is unironic and unappologetic about it. In the first few days, people shitted on Touch, but that song is really the thesis of the album. It's about people becoming too absorbed in digital life to remember the touch of other people. The entire album reflects this, with the aforementioned use of real musicians instead of loops and samples.
But any way you slice it, it's the best disco record of the decade. |