| >> | No.26594505 I always thought there must be something I was missing with tool, because absolutely everything I'd been exposed to from them was so damn boring. I thought there must be something exciting. So I dug through their music, and found nothing exciting. It was all pretty mellow, low-key, almost muddled mood music. Then I found out from a guy I knew who was classically trained that there is, in fact, something I'd been missing. The time signatures. Since I'm not classically trained, and had (at that point) pretty much only played punk rock and blues music, I didn't have the theoretical appreciation for time signatures and such that someone with a background in music theory does. Apparently Tool does some amazing stuff with time signatures, and things of that nature.
It was at that moment I realized that maybe not being classically trained, which I had always regretted previously, wasn't such a bad thing. |
| >> | No.26595572 >>26595409 Kid A has some pretty outstanding moments. The second half of The National Anthem, for instance, as well as poppier songs like Morning Bell, Optimistic, and How to Disappear. It's not my personal favorite Radiohead album, but I can't deny that it does its thing well.
Meanwhile, Tools music is about as emotionally interesting as any angsty 90's band once you take away the esoteric lyrics and cool album art.
Just because you think that Radiohead sucks doesn't negate the fact that Tool is the worst, shittiest, crappiest, pissiest band in the world, either. |