Johannes Brahms - Complete Organ Works (Georges Athanasiadés)
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Brahms' organ works fall into two categories: Earlier exercises in polyphonic style (which nonetheless are great art), and the deeply personal chorale preludes op. 122, essentially his last work. The latter are anything but an emulation of Bach's works in the genre, some hark back much further, to the stylus fantasticus and older German masters like Buxtehude and Pachelbel, but very often with a 19th century "lyrical" approach to form. While some pieces are held together by what Schoenberg would term "developing variation" ("Mein Jesu, der du mich" and "Herzlich thut mich erfreuen"), others are cast in three-part forms, often with partial reprises (most prominently in "O Gott, du frommer Gott" and "Herzlich thut mich verlangen"). Like Bach's Art of Fugue and Schütz' Schwanengesang, Brahms' last work is a testament to what he held dear in music: Folk melody and polyphonic sophistication embedded in clearly articulated, lyric forms.
Athanasiadés plays on a baroque organ with a unique "glockenspiel" register, which he uses to highlight the chorale tune in the first chorale prelude from op. 122.