>>54964422
Next is “When Glittered Solitude Still Preserved The Connectedness”. Ummm….I am not too sure what happens here either. It sounds like a guitar is playing. The violin that was present in the first part somehow was able to play glitch while there is a generator working in the background??? I am thoroughly confused. He also separates the generator and the violin into different sound channels, making it slightly easier to comprehend what’s going on. Not like that is of any help.
“Even Now My Being Attempts To Vanish” is a short track with a guitar drone. It doesn’t change much but it’s definitely interesting.
The following “Are You The One The One Who Can Console Skepticism Stained This Deep” is a short 2 flute composition. It works really well with the vacuum-like lo-fi production on this album. It is followed by another short duet.
The Remnants Of A Tribe Called ''Tenderness Overflowed” is a Derek Bailey tribute for 2 acoustic guitars. Once again the mix separates them into 2 different channels. It is a pleasant tune, definitely corresponds with the theme of the title. I’m enjoying the fact that a lot of these tracks are very short and straight to the point.
“When I Visited My Home, The Land Where A Gray Sun Rises” is more violin nazoranai as Haino calls it. It’s a free form composition with a slightly more traditional sound to it in comparison to the previous violin efforts on this album. It is abrupt at times, but still very easy on the ear.
“The Secret Pact Between Beauty-Awareness And The Gods Of The Underworld” is the second longest track on here, clocking at 10:47 minutes. It seems like it is more guitar work, maybe even prepared guitar. It features a lot of percussive elements of unknown to me nature. It’s probably the most boring track on the entire disc even though I do appreciate the sound explorations.
2/3 apparently